The two stories present two primary ladies, Moira and Lola. To look at the two, you see them both existing in "man versus self" clashes inside their individual stories. Also, similar to their accounts, the creators share some data on their experience; contrasting the creators' summations can help and understanding the associations between Little Cogbert and Cotton Sweets.
The creator of Little Cogbert is Phyllis Shand Allfrey. She starts from the island of Dominica, the area of where her story happens. In a to some degree comparable style, Dora Alonso, creator of Cotton Sweets, hails from Cuba, which sets the setting in this story. The contention in Little Cogbert is progressively outside, as Moira was not for the altogether different kids she set up a gathering for; her xenophobic nature was particularly communicated towards Cogbert, the single kid who valued Moira's blessing from the begin. The contention in Cotton Treat is somewhat inward: It's underlined in this story that Lola has experienced much difficulty with finding a spouse to wed because of her domineering mother. With the inevitable going of her mom's passing, Lola feels a "alleviating remorse". Lola later acknowledges she can in any case discover love, despite her age and appearance, as she's is reminded of her young and innocent youth.
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